Open AIR Expansion au Maroc
By Sara Yassine
Au cours des six derniers mois, le laboratoire de recherche « Entrepreneuriat et Management des Organisations » (LABO-EMO) et Open AIR ont discuté la...
Les Fablabs en Afrique : une utopie à l’épreuve des...
By Thomas Hervé Mboa Nkoudou
Du 6 au 10 mai 2018, la ville de Dakar accueillait le Festival Afropixel 6 sur la thématique « Utopies non-alignées :...
From Africa to the World: Unlocking Barriers for Women to Trade
By Philda Maiga
Trade is considered an important engine for growth. Studies have shown that trade can dramatically improve women’s lives, create jobs, and increase...
Digital Mandhwane: Enabling Inclusive Digital Transformation in Rural South Africa
By Kgopotso Ditshego Magoro
COVID-19 has exposed that, while the Fourth Industrial Revolution (4IR) evangelists are preaching that we are experiencing a revolution, for many...
Beyond the Poster Boy of the Maker Movement
Some people tour Europe’s finest vineyards others tour Australia’s sweetest surf spots—I tour South Africa’s pioneer makerspaces; part of the growing global maker movement. The movement is a culmination of people becoming “makers” (someone who uses their personal abilities to create anything from mechanical or electrical to visual or musical) and spaces becoming makerspaces (an interdisciplinary area stimulating people to create by providing resources and idea sharing).
Fablabs et le développement durable de l’Afrique
Par Thomas Hervé Mboa Nkoudou
Je suis Thomas Hervé Mboa Nkoudou, doctorant en Communication Publique à l’Université Laval (Québec, Canada). Je m’intéresse à la contribution des tiers-lieux de...
Dr. Kakooza “Dealing with Trans-Border Quasi-Intellectual Property”
In October 2010, Yoweri Museveni, the President of Uganda, recorded a rap song titled: "Do You Want Another Rap?" as part of his re-election campaign to capture the imagination of young voters. The song was a huge success and may have played a part in his reelection. When Museveni applied for a copyright registration of the song, however, members of the Ankole community filed an objection stating that the song was derived from Ankole folklore. While the Registrar of Copyrights in Uganda eventually allowed Museveni's copyright application for registration, this case triggered Dr. Anthony Conrad K. Kakooza's interest in the area of traditional cultural expressions (TCEs) and whether TCEs should be recognized within the domain of intellectual property (IP) law.
Africa and COVID-19
By Chidi Oguamanam
As an African and a Canadian, I
inhabit an observatory. I am a resident in two worlds of blunt contrasts. On a good
note,...
Community Biology Lab’s Response to COVID-19 in Africa: The Case of...
In order to successfully combat the Covid-19 pandemic, research must be accelerated in a collaborative and coordinated manner, by sharing knowledge and data in resource-constrained areas.
Open AIR hosts South African Maker Movement Workshop
Enthusiasts and researchers gathered on Friday, March 3, 2017 to share research on the growing African maker movement. The workshop was hosted at the Institute for Economic Research on Innovation at the Tshwane University of Technology in Pretoria, South Africa.













