Events

By Meghan Blom Open AIR aims to understand how open collaborative innovation can help businesses scale up and seize the opportunities of the global knowledge economy....

By Charlotte Galvani and Jeremy de Beer Negotiations toward a new international treaty on pandemic preparedness and response have failed to reflect a rights-based consensus...

The Open AIR New Emerging Researchers Group (NERG), under the leadership of Esther Ekong and Adel Osama, organized a virtual meet-up series, which kicked...

By Dr. Otitodiri Ogadinma OnyemaQES Postdoctoral Fellow, Centre for Law, Open AIR In October, 2025, I had the privilege of presenting my research at the International Conference...

By Jeremy de Beer and Yvonne Ndelle The recent conference hosted by the Canada Africa Parliamentary Association (CAAF) served as a pivotal platform for discussing...

The WIPO-IGC recently commenced the next installment of its deliberations for a text-based instrument that focuses on the protection of traditional cultural expressions (TCEs), pursuant to its mandate. There are two scheduled forums on TCEs beginning Feb 27-March 3 and to be completed in June 2017, which will round off the Committee’s work for the 2016-17 biennium.

Last month, Open AIR launched our inaugural case study workshop at the Centre for Intellectual Property and Information Technology (CIPIT), part of Strathmore University’s Law School in Kenya, and one of Open AIR’s hubs. The workshop sought to provide successful case study participants with an opportunity to present their proposals and brainstorm with their colleagues.

Par Abdelhamid Benhmade En collaboration avec le Centre de recherche en droit, technologie et société (CDTS), DST/NRF/ Newton Fund Trilateral Research Chair in Transformative Innovation, et,...

In October 2010, Yoweri Museveni, the President of Uganda, recorded a rap song titled: "Do You Want Another Rap?" as part of his re-election campaign to capture the imagination of young voters. The song was a huge success and may have played a part in his reelection. When Museveni applied for a copyright registration of the song, however, members of the Ankole community filed an objection stating that the song was derived from Ankole folklore. While the Registrar of Copyrights in Uganda eventually allowed Museveni's copyright application for registration, this case triggered Dr. Anthony Conrad K. Kakooza's interest in the area of traditional cultural expressions (TCEs) and whether TCEs should be recognized within the domain of intellectual property (IP) law.

By Anthony Oguguo, QEScholar and PhD Student, Faculty of Law, University of Ottawa, Canada The inadequacies of the global health law framework during the pandemic...