L’accès au savoir en Afrique : le rôle du droit d’auteur

Ce livre, publié en 2011, permet de mieux saisir les enjeux juridiques et pratiques que posent les droits d’auteur pour l’accès au matériel didactique en Afrique et cerne les leçons apprises, les politiques et les pratiques susceptibles d’améliorer cet accès.

Africa’s Maker Movement: An Overview of Ongoing Research

Makerspaces are places where people gather to build projects, learn new technologies, and develop entrepreneurial opportunities. Open AIR is conducting research on makerspaces across the African continent.

Harnessing Digital Agriculture to Advance African Food Security: Open AIR Research...

By Uchenna Felicia Ugwu Achieving global food security will require innovation. Processes like plant phenotyping and technologies like digital imaging are examples of innovation that...

Makerspaces and Creativity

Looking back at Open AIR’s ‘Making’ Innovation Happen roundtable By Sean Boots In mid August, Open AIR hosted a roundtable discussion on makerspaces and innovation hubs in...

Spotlight on Artificial Intelligence – Canada

In Canada, Open AIR’s hub is located within the Centre for Law, Technology and Society (CLTS) at the University of Ottawa (uOttawa). The Canadian...

Recognizing Informal Sector Innovation: Implications for Traditional Knowledge Development in Africa

In 2012, a civil society group called the Alliance for Food Sovereignty in Africa (AFSA), raised concerns about a draft Africa Regional Intellectual Property Organization (ARIPO) plant variety protection protocol. AFSA was concerned,

Dr. Kakooza “Dealing with Trans-Border Quasi-Intellectual Property”

In October 2010, Yoweri Museveni, the President of Uganda, recorded a rap song titled: "Do You Want Another Rap?" as part of his re-election campaign to capture the imagination of young voters. The song was a huge success and may have played a part in his reelection. When Museveni applied for a copyright registration of the song, however, members of the Ankole community filed an objection stating that the song was derived from Ankole folklore. While the Registrar of Copyrights in Uganda eventually allowed Museveni's copyright application for registration, this case triggered Dr. Anthony Conrad K. Kakooza's interest in the area of traditional cultural expressions (TCEs) and whether TCEs should be recognized within the domain of intellectual property (IP) law.

Life under COVID-19 for micro and small enterprises in Africa: a...

By Bertha Vallejo and Erika Kraemer-Mbula Dr. Bertha Vallejo is an OpenAIR QES fellow with the University of Johannesburg. She analyzes the adoption of Industry...

Makerspace Sustainability: mAkE Project Launches Open Catalogue of Business Models (OCBM)

By Chris Armstrong The African European Maker Innovation Ecosystem (mAkE) Project, of which Open AIR is part, has launched its Open Catalogue of Business Models (OCBM)....

Women Empowerment in Cybersecurity Workforce in Africa

By Dianah Ajuna Byaruhanga October was cybersecurity awareness month, and I was delighted to attend various cybersecurity conferences online throughout the whole month. I am...