Bridging the Gender Gap between contributions to STEM Fields and their...

By Natalie Chodoriwsky The Government of Canada’s 2019 Intellectual Property Strategy has committed to “conducting IP awareness and use survey to identify how Canadians understand and...

COVID-19: In the Shadow of Ebola, the Patent War to Come...

By Chidi Oguamanam and Nailah Ramsoomair Note: A previous, shorter version of this article was published in Punch Newspapers here. In the midst of the COVID-19...

À la découverte de la « Darky » : une imprimante 3D fabriquée au...

Par Thomas Hervé Mboa Nkoudou La difficulté d’accès à l’équipement est souvent pointée comme l’un des principaux problèmes dont souffrent les makerspaces en Afrique. Et...

Working around the Gender Gap in Intellectual Property Regimes: Empowerment of...

Authored by: Desmond Osaretin Oriakhogba  Abstract : This case study explored the empowerment, innovation, entrepreneurship, and intellectual property (IP) dynamics at play in the work...

Attention aux accords internationaux d’investissement !!

unsplash photo for blogpost
Par Abdelhamid Benhmade À quelques semaines près, l’Organisation mondiale du commerce tiendra sa douzième conférence ministérielle pour discuter de plusieurs dossiers tant complexes qu’épineux, entre...

Emerging issues in campus and community “makerspaces” across Canada

Makerspaces are places where innovators gather together to develop new ideas, technologies and entrepreneurial opportunities. The concept of sharing not only space but also tools and equipment is gaining popularity in many countries. Canada is home to several makerspaces ranging from hackerspaces, to fab labs, to informal studio spaces where people can create, invent, and learn. Some are run for profit, some are non-profit, and some are run by individuals or larger institutions.

Dr. Kakooza “Dealing with Trans-Border Quasi-Intellectual Property”

In October 2010, Yoweri Museveni, the President of Uganda, recorded a rap song titled: "Do You Want Another Rap?" as part of his re-election campaign to capture the imagination of young voters. The song was a huge success and may have played a part in his reelection. When Museveni applied for a copyright registration of the song, however, members of the Ankole community filed an objection stating that the song was derived from Ankole folklore. While the Registrar of Copyrights in Uganda eventually allowed Museveni's copyright application for registration, this case triggered Dr. Anthony Conrad K. Kakooza's interest in the area of traditional cultural expressions (TCEs) and whether TCEs should be recognized within the domain of intellectual property (IP) law.

Open AIR Research into 4th Industrial Revolution Technologies and Artificial Intelligence:...

By Nagham El Houssamy and Nadine Weheba This is part two in a three part series. For part one, click here. For part three, click...

Spotlight on Artificial Intelligence – North Africa

Open AIR's Northern African hub, the Access to Knowledge for Development Center (A2K4D) at the American University in Cairo, is conducting research on open...

Power Relations, Innovation, Scaling, and Knowledge Governance at Three Egyptian Tech...

Authored by: Nagham ElHoussamy, Nadine Weheba, and Nagla Rizk Abstract: This Working Paper offers an initial exploration of innovation realities at technology hubs in...