Tensions Related to Openness in Researching Indigenous Peoples’ Knowledge Systems and...

Contextualizing Openness: Situating Open Science Edited by Leslie Chan Angela Okune, Rebecca Hillyer, denise Albornoz, and Alejandro Possada Published by Ottawa Press Available online from the IDRC Canada. CHAPTER...

Maker spaces in developing countries: Sites of innovation despite simultaneous challenges

by Mohamed Hosny In the past few years, there have been several initiatives to help entrepreneurs introduce new creative and innovative products that break from...

Women in Gungun Share their Experiences in Pottery Making

By Mnena Abuku Pottery is an ancient art in Nigeria and is practiced in different parts of the country. It has high value for the tourism industry...

Challenging Power Structures in the Context of Global Change

By Esther Ekong As part of its Solutions for Gender Equality speaker series, The International Development Research Centre (IDRC), hosted a special panel...

Behind the Number: A Review of Index Methodologies to Improve Innovation...

This paper reviews the methodologies of 16 indices in innovation, information and communication technologies, economic environment, governance, and development.

Digital Mandhwane: Enabling Inclusive Digital Transformation in Rural South Africa 

By Kgopotso Ditshego Magoro COVID-19 has exposed that, while the Fourth Industrial Revolution (4IR) evangelists are preaching that we are experiencing a revolution, for many...

Nouveau financement pour le réseau Open AIR

Open AIR ouvre la voie à une réglementation sur l’innovation plus équitable Le Centre de recherche pour le développement international (CRDI) a octroyé à Open AIR près...

Dr. Kakooza “Dealing with Trans-Border Quasi-Intellectual Property”

In October 2010, Yoweri Museveni, the President of Uganda, recorded a rap song titled: "Do You Want Another Rap?" as part of his re-election campaign to capture the imagination of young voters. The song was a huge success and may have played a part in his reelection. When Museveni applied for a copyright registration of the song, however, members of the Ankole community filed an objection stating that the song was derived from Ankole folklore. While the Registrar of Copyrights in Uganda eventually allowed Museveni's copyright application for registration, this case triggered Dr. Anthony Conrad K. Kakooza's interest in the area of traditional cultural expressions (TCEs) and whether TCEs should be recognized within the domain of intellectual property (IP) law.

Open AIR NERG presents at Windsor Symposium on Copyright User Rights...

By Uchenna Ugwu How can “user rights” and exceptions to copyright be used most effectively to ensure access to knowledge for all? This question is...

Life under COVID-19 for micro and small enterprises in Africa: a...

By Bertha Vallejo and Erika Kraemer-Mbula Dr. Bertha Vallejo is an OpenAIR QES fellow with the University of Johannesburg. She analyzes the adoption of Industry...